What is required of an orchestra chair is that the performer can play comfortably without becoming fatigued. Unlike chairs in the auditorium, which are intended for viewing, performances involve movement. Therefore, without sufficient weight and stability, the chair may slip out of place unexpectedly due to weight shifts caused while performing. Kotobuki Seating's orchestra chairs are made of thicker steel tubing than normal chairs, so the chairs themselves are heavier. In addition, by bending the legs into a loop shape, the chairs create a greater sense of stability than chairs with four legs and firmly withstand movement while performing. It is a sturdy chair that allows musicians to relax during performance without worrying about squeaking or swaying.
Performers sit on chairs in different positions and at different angles. While most chairs have a slight depression in the center of the seat to enhance the fit to the roundness of the buttocks, Kotobuki Seating's orchestra chairs are distinguished by their flat surface. In addition, the seat's core material is thicker than usual to reduce deflection of the flat seat surface and increase stability. Thus, since the surface of the seat is flat and the sitting position is flexible, the depth or shallowness of the sitting position can be adjusted according to the instrument, piece of music, or performer's preference. In addition, the vinyl leather upholstered back and seat offer excellent cushioning and breathability, providing comfort even after long periods of seating. It is also moderately firm and supports the free posture of each performer without causing the performer's body to slump.
The simple and stylish design, consisting of a black pipe frame, is at home on the stage. Orchestra chairs are a behind-the-scenes partner of the performers. To make them as inconspicuous as possible during performance, they are painted with a matte texture with black as the base color. They blend in with the performers' costumes and look beautiful when placed alongside a grand piano. The backrest also has a subtle handgrip function that makes use of the tubular frame. This is convenient because it is naturally easy to handle and easy to pull when moving the chair. Another feature is the space between the back and seat. In a normal chair, the upper part of the back and the rear part of the seat are designed so that there is no gap between the upholstered part of the fabric and the frame to give a high-grade look. In the orchestra chair, however, such a space is provided to prevent the rubbing noise that occurs when the fabric rubs against the frame. This allows performers with sensitive hearing to concentrate on their own performance without being distracted by noise. This space also allows the hem of the performer's tailcoat to hang neatly, thus preserving its aesthetic appeal during the performance. The chairs have been carefully designed to not only be functional but also visually pleasing.
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